If you have followed a link here from Edexcel GCSE Art and Design teachers notes, and would like to know about the inspiration and details of this quilt, please email me for a worksheet.
Hundertwasser was a German architect and painter.
This wallhanging is based on his painting, Town Under The Rain. I have
tried to recreate the effect of watercolour paint pooling onto paper,
which gives a beautiful uneven effect, so my fabrics have been hand
painted with acrylics and dyes, and are then further embellished with
markal oilsticks, pen and stitch. On some fabrics the colours bleed
into each other. The whole wallhanging has been "free pieced" ie
without patterns or templates, and simply grew as I went along.
The colours Hundertwasser chose are quite vibrant and
are not within my normal "comfort zone" so it has taken a while for me
to feel happy with the result. There are several of his paintings
which I think would make fabulous quilts, and I shall probably make 3
or 4 more to hang as a group. Although they will be substantially
different from his paintings, in shape, structure, colour etc., (they
can, at best, only be a broad outline of the originals) and although
they make interesting wallhangings, I do not regard them in the same
way as the other pieces on the web site which are, on the whole, based
entirely on original ideas.
THESE PIECES ORIGINALLY DESIGNED FOR "A MUSEUM IN TEXTILES"; AN EXHIBITION HELD AT WARWICKSHIRE MUSEUM, WARWICK IN MARCH/APRIL 2007
WARWICKSHIRE MUSEUM 1 - DECAY (SOLD)
Currently on show at Royal Leamington Spa Art Gallery and Museum Open Competition 2007
WINNER OF "PEOPLE'S CHOICE" AWARD
Everything decays and erodes over time. Not just organic matter, but also our memories alter and become the layers of history. Language changes all the time too and words are often broken down and new ones formed. This piece is a personal reaction to visits to Warwickshire Museum, it's minerals, fossils, and crystal forms.
This wallhanging is made from own-dyed cotton and silk fabrics applied to a painted cotton background. The whole cloth was then stitched with various threads and embroidered words. Rubbings were taken with ammonite fossils borrowed from the museum and then gilded using 23ct gold leaf. Embroidered full sized ammonites were then added, and the whole quilt was then covered in a painted and melted polyester lattice, backed with screen painted cottons, and held together with mennonite knots.
WARWICKSHIRE MUSEUM 2 - MINERALS £120 each
A series of 4 smaller, wadded, quilts with an average measurement of 45" x 17" (slight variations) designed using the colours of the minerals for sale in the museum shop and those on display in the geology sections. They are collaged cottons and silks on a painted background (similar to Museum 1) They have applied threads and are closely quilted in vertical 1/4 inch lines.
TIGERS EYE AND CITRINE
WARWICKSHIRE MUSEUM 3 £300
This quilt is 28" x 58" and has the same collaged
base as Museum 1 but with a colour flow from palest lemon to a deep
red/rust. It has 23ct gold leaf gilding in shape of ammonites
scattered over the surface. It has a green cotton lattice based on
mineral shapes applied over the top, and is then machine quilted in 1/4
vertical lines.